The "A. Pedrollo" Conservatory of Vicenza is the coordinator of the PNRR project called "Jerus.It-Arts." The main objective of the JERUS-IT-ARTS project is to establish an innovative set of activities for the preservation and promotion of Italian artistic, musical, and dance culture at an international level, with particular focus on music, artistic and dance pedagogy, and cultural networks and archives between Italy and Jerusalem.
The "Arrigo Pedrollo" Conservatory of Vicenza—city of Palladio and home to the Olympic Theater—has its roots in 1867 with the "Canneti" Musical Institute, becoming a state conservatory in 1969. Since 1998, it has been housed in the restored 14th-century complex of San Domenico, now a modern structure equipped with 63 classrooms, over 100 teachers, and more than 500 students enrolled in preparatory and academic courses of first and second level.
Its educational offerings stand out nationally for originality and quality. The Conservatory is also deeply committed to musical production (orchestra, ensemble, choir) and research, in synergy with cultural institutions and the Consortium of Conservatories of Veneto, of which it is a founding member.
Musicologist and harpsichordist, Director of the “A. Pedrollo” Conservatory of Vicenza.
PhD from the European University Institute, I have published widely on Renaissance and Baroque music, focusing on the interplay between sound and memory.
I lecture and performe across Europe and the US (Harvard, Stanford, Columbia) and I have been a Fellow at the Italian Academy in New York.
vice coordinator of the Jerus-It-Arts project
I am the vice coordinator of the Jerus-It-Arts project. I have a classical-philological and musical education. I teach poetry for music and musical dramaturgy, I deal with musical rhetoric, Plautine theater, choir and orchestra conducting and composition
Coordinator of "Work Package 1" (Training and Mutual Learning, Exchanges and Mobility) for the Jerus-It-Arts project. As a full professor, I am responsible for managing the relationship with the Magnificat Institute in Jerusalem, overseeing the organization and management of educational initiatives. With twenty years of experience living and working in Asia (through artistic productions, cultural exchanges and liaising with local authorities and diplomatic representatives), I firmly believe that art, culture and music together form a powerful master key for the development and growth of international relations.
Technical-administrative officer at the Conservatory of Music in Vicenza, I manage artistic production, institutional communication, external relations, and ceremonial duties. I have over twenty years of experience in cultural management, developed in both the theatre and music sectors.
Administrative assistant at the Conservatory of Music in Vicenza, I am in charge of the Erasmus Office and international relations. As part of this project, I manage mobility and the relationship between the Conservatory and the Magnificat Institute.
